Paul Schrader's neo-Bergmanism
One of the most talked-about movies of the spring was “First Reformed,” Paul Schrader’s austere, intense portrait of a Protestant minister coming undone in upstate New York. The movie, starring Ethan Hawke as the Rev. Ernst Toller, explores themes that viewers versed in Mr. Schrader’s more than four-decade body of work — which includes “American Gigolo” and “Light Sleeper” (as director) and “Taxi Driver” (as screenwriter) and the critical study “Transcendental Style in Film” — will surely recognize.
This is not the first time he has delved into the existential torment of a man’s soul, nor the first time he has summoned the influences of Ingmar Bergman, Robert Bresson, Carl Dreyer and other transcendental film heroes.
This is not the first time he has delved into the existential torment of a man’s soul, nor the first time he has summoned the influences of Ingmar Bergman, Robert Bresson, Carl Dreyer and other transcendental film heroes.
Rob's comment:
Those Ingmar Bergman movies about "existential torment" were---still are, if I bothered to torment myself by watching them again---remarkably boring. As a young man, I watched them only because they were recommended by critics as important movies. Not to me they weren't/aren't. I prefer the later Bergman's "Fanny and Alexander" and "Scenes From a Marriage" to those about "torment of a man's soul."
Find your religion hard to believe or live by? Hard cheese, old boy!
Find your religion hard to believe or live by? Hard cheese, old boy!
More from the story in the Times:
A. O. SCOTT: What kind of pastor is Rev. Toller?
PAUL SCHRADER: As a pastor, he’s a charity case. They have this little church, and this is a job that nobody wants, probably it doesn’t pay dirt. When someone actually wants his help, the first thing he tries to do is pass them on to the bigger organization. I don’t think Toller stands in any Christian tradition other than the existential one — this notion of Albert Camus’s: I don’t believe, I choose to believe.
Wrong! Albert Camus was famous for not being a Christian. Schrader must be thinking of the William James muddle in The Will to Believe.
Labels: Art, Atheism and Religion, When Smart People Are Dumb
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