District 5 Diary: Murdering a president: The movie

New York Magazine:

In 1988, in an elevator at a film festival in Havana, the director Oliver Stone was handed a copy of On the Trail of the Assassins, a newly published account of the murder of President John F. Kennedy. Stone admired Kennedy with an almost spiritual intensity and viewed his death on November 22, 1963 — 60 years ago this month — as a hard line in American history: the “before” hopeful and good; the “after” catastrophic.

Yet he had never given much thought to the particulars of the assassination. “I believed that Lee Oswald shot the president,” he said. “I had no problem with that.” On the Trail of the Assassins, written by the Louisiana appellate judge Jim Garrison, proposed something darker.

In 1963, Garrison had been district attorney of New Orleans, Oswald’s home in the months before the killing. He began an investigation and had soon traced the contours of a vast government conspiracy orchestrated by the CIA; Oswald was the “patsy” he famously claimed to be. Stone read Garrison’s book three times, bought the film rights, and took them to Warner Bros....The studio gave him $40 million to make a movie.

The resulting film, JFK, was a scandal well before it came anywhere near a theater. “Some insults to intelligence and decency rise (sink?) far enough to warrant objection,” the Chicago Tribune columnist Jon Margolis wrote just as shooting began. “Such an insult now looms. It is JFK.” Newsweek called the film “a work of propaganda,” as did Jack Valenti, the head of the Motion Picture Association of America, who specifically likened Stone to the Nazi filmmaker Leni Riefenstahl. “It could spoil a generation of American politics,” Senator Daniel Patrick Moynihan wrote in the Washington Post....

And yet some of the response to the film looked an awful lot like a form of repression, a slightly desperate refusal to acknowledge that the official version of the Kennedy assassination had never been especially convincing.

One week after the assassination and five days after Oswald himself was killed by nightclub owner Jack Ruby, President Lyndon Johnson convened a panel of seven “very distinguished citizens,” led by Chief Justice Earl Warren of the Supreme Court, to investigate.

Ten months later, the Warren Commission concluded that Oswald, firing three shots from the sixth floor of the Texas School Book Depository, had killed Kennedy entirely on his own for reasons impossible to state....

In a famous courtroom scene, Garrison, played by Kevin Costner, showed the Zapruder film, the long-suppressed footage of the shooting, rewinding it for the jury as he narrated the movement of Kennedy’s exploding cranium — “Back, and to the left; back, and to the left” — which suggested a shot not from behind, where Oswald was, but from the front, in the direction of the so-called Grassy Knoll, where numerous witnesses testified to having seen, heard, and even smelled gunshots....

In another courtroom scene, Garrison dismantled the “single-bullet theory,” according to which the same round had been responsible for seven entry and exit wounds in Kennedy and Texas governor John Connally — an improbable scenario made all the more so by the alleged bullet itself, which was recovered in near-pristine condition.

The simplest explanation would have been that all those wounds were caused by more than one bullet, but this would have meant either that Oswald had fired, reloaded, and again fired his bolt-action rifle in less than the 2.3 seconds required to do so or, more realistically, that there was a second shooter....